Whoever programmed them has mostly resisted the urge to show off what the effects can do, resulting in patches that are instantly playable and usable. The controls are conventional with a set of gain, volume and tone knobs and a small but very sharp colour display, a handful of soft-touch button switches and a rotary encoder incorporating a ‘push to select’ switch.Īmps like the Mustang sell themselves though their preset sounds and the GT 40’s are impressive. The control panel and display both point upwards, which means the Mustang needs to be low down if you want to see what’s going on. Let’s look at the smallest and most affordable in a new, three-combo range: the Mustang GT 40.Ĭompact and stylish, the Mustang GT 40 is presented in black textured vinyl with a black control panel and grill cloth, offset by the old-style flat aluminium Fender badge. Now, its popular digital Mustang series has been refreshed with the Mustang GT, the first amps to feature Wi-Fi and Bluetooth. Fender has always been out in front when it comes to innovation, with digital modelling products like the Cyber Twin. For manufacturers though, technology is a double-edged sword, because there are constant changes that make it difficult to stay ahead of the curve.
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